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Obama is a Vlogger

Tuesday, December 30, 2008



Plenty has been said about how neat it is that our new President Barack Obama (Yay!) is posting his weekly radio addresses as videos on Youtube.

But, think about it for a second. The next President of the United States is a f'ing vlogger! How cool is that? Did you imagine that that might be the case 2, 3, 5 years ago?

Here's what's significant about Obama's vlogging:

Youtube is an equal-opportunity distribution platform. Although Obama's celebrity status plays a huge role in gaining exposure, it's as easy for his videos to be seen here as it is for anyone else's. Even with all his power, Obama chose not to rely on the established mass-media channels to share his thoughts with the citizens.

Obama has created a moderated forum for dialogue through comments. Who knows if the comments Obama will receive during his tenure will be relatively thoughtful compared to the average Youtube comments; but regardless, he's inviting this feedback in a public space.

Through his subscribers, Obama is creating a direct line of communication from himself to tens of thousands of his most ardent (and web-savvy) supporters. Just like blogging or Twittering, these streams of communication from one person to a group of followers enables people with massive popularity to cultivate a sense of intimacy with their audience. If these people were watching these videos on NBC, they wouldn't feel nearly as special as they do when they receive them through their Youtube subscription. And that sense of intimacy will pay off when Obama calls on them to take action.

Obama's videos are spreadable. Every single video that Obama posts to Youtube is ready and willing to be copied and pasted onto millions of other sites across the web. Good or bad. Aligned with his politics or not. Next to "appropriate content" or not. It doesn't matter. Obama wants his message to spread.

Not every tool is right for every brand. But, if you're worried that communicating in such an open public forum would make your brand too vulnerable to criticism or misrepresentation, think again. If it's good enough for the Office of the President of the United States, it's good enough for you.

Are You Wasting Your Relationships?

This morning I discovered these two pearls of wisdom:

"Inspiration may get us started, but it never keeps us going. And that’s where motivation works." ...It's a fantastically interesting way to think about what's wrong with advertising today, constantly trying to inspire the consumer to buy in fleeting forms, without doing the generally harder and more difficult to measure work of consistently motivating a person to purchase. - Paul McEnany

Creating awareness and attention means nothing in a world where loyalty and relevant meaning is the currency. ...getting someone's attention is extremely expensive if you don’t use it to create recurrence. - Helge Tennø

Paul and Helge are zeroing in on something that I've been droning on about at work for months now. If you're out there convincing brands to integrate social platforms like Blogging, Facebook, or Twitter into a new campaign, you need to make your client understand that those efforts will be relatively worthless if they're not willing to be there to maintain the relationships once the campaign is over.

Anyone who's had any success at building up their own personal brand across the web will tell you that it takes time, patience, devotion, and sustained effort. These social environments are fantastic at cultivating a loyal and passionate following because of the effortless intimacy they enable. But, if you're counting "friends" or "contacts" or "followers" as if they were just more impressions, you're missing the point. Each of those numbers represents a real live human being, who has decided to give you a chance to convince them that you have something of real value to offer them (and it can't just be your product, it's got to be bigger than that).

There are a ton of excellent quotes in this presentation by Graham Brown at mobileYouth.org, that Helge also posted, and this one really gets to the heart of why we need to shift our goals from short-term impressions to long-term relationships.

Patient youth marketing strategies will win out. Focus on building a beachhead of passionate supporters who love your product.


Lot's more here:

View SlideShare presentation


And check out Part II here.

Blogs I'm Glad to Have Discovered in 2008

Monday, December 29, 2008

This is the second year that I've put together this best-of list. It's just as much fun this year as it was last year; and it's a great reminder of how vast and awesome the blogosphere can be.

In addition to some great blogs written by my co-workers, Bud Caddell, Julia Roy, Eric Tabone, Lauren Puglia, Nina Yiamsamatha, and Josh Spear, these are the extra-special blogs that made me say "Ooo," "Whoah," "Hmmm," "Wow," and "Ah Ha!" in 2008:

Zoomdoggle - http://zoomdoggle.com/
Birthed from the imaginative mind of my friend and some-time office-mate Jake Bronstein, this blog is an endless fount of fun. Everyday this blog delivers a slew of entertaining online diversions, without the usual pettiness or cynicism you find on so many other similar sites. They've even created a TXT service: text "NEED FUN" to 30644 - try it now!

Buzzfeed - http://www.buzzfeed.com/
I'm sure I'm not the only one who noticed this site this year, but seriously... how do they do it?! Buzzfeed shocks me every day with its breadth of information and its ability to discover emerging ideas, links, videos, across the web as they begin to bubble up. Buzzfeed saves me the trouble of visiting other pop-culture blogs, and enables me to spend that time digging deeper into the more thought-provoking blogs out there.

Fubiz - http://www.fubiz.net
This French design blog has become one of those few feeds that I make a point to never miss a single post from. They curate a remarkably consistent collection of beautiful videos, industrial design, graphic design, advertising, and art. Almost makes me wish I was a designer again...

The Dieline - http://www.thedieline.com/blog/
Graphic design blogs can sometimes get a little tiresome, but The Dieline's focus on packaging design is just the right frame to keep things interesting. The examples collected on this blog are a great perspective on all of the various aspects of branding, from the name to the logo to the product to the messaging to the personality to the brand's point of view on sustainability, etc. Seeing products from such diverse assortment of markets is a great reminder that any product, whether it's from a major corporation or a small indie one, is competing with every other product out there.

Tavi, a.k.a. Style Rookie - http://tavi-thenewgirlintown.blogspot.com/
Regardless of the fact that this blog is written by a 12 year old, this is the freshest fashion blog I've come across in years. Tavi's vision, her knack for discovering unique looks, and her ability to tell a great story in a single blog post make me feel optimistic about the future of fashion.

Helge Tennø - http://www.180360720.no/
I wish that I could give proper thanks and credit to the person who introduced me to Helge's awesome online marketing blog, but alas, that source has evaporated into the digital ether. Helge Tennø is a Planner at ScreenPlay in Norway, and his blog has become my new model for success. Helge pulls from excellent sources. He has a healthy curiousity about futuristic reality-altering technologies. He designs beautiful slides and presentations. And most importantly, he always leaves his readers with at least one clear important thought to take with them.

The Toad Stool by Alan Wolk - http://tangerinetoad.blogspot.com
I met Alan briefly at the Blogger Social event back in March, and unfortunately we've yet to have a proper sit-down in real life, but he's become an inspiring online colleague. His blog is always full of intelligent and thought-provoking stories, tempered with a bit of humor and a healthy dose of new-media-cynicism.

Hee-Haw Marketing by Paul McEnany - http://heehawmarketing.typepad.com/
I was also introduced to Paul at the same Blogger Social event, and have since become a devoted reader of his blog. There are only a few online marketing blogs that actually have anything unique to add to the conversation, and Hee-Haw Marketing is one those special few. Paul's posts are thoughtful and substantial. He's got a great sense of humor, he knows his sh-t, and he's got good taste in music.

I hope that you get as much out of these great blogs in 2009, as I did in 2008.

What are the blogs that you're glad to have discovered in 2008? Link them up in the comments.

Best of Tumblr Fridays!

Sunday, December 28, 2008

(Sorry for the delay. I hope you all enjoyed the holiday.)

Here are the highlights from the past week on my Tumblr blog.


Eartha Kitt, we'll miss you.


Boxer Christmas Card 08' from Boxer Design on Vimeo.


50 kids happy to get a Nintendo Wii for Christmas (via Gizmodo)


by Karim Massoteau


Faris Yakob: Bet on the Future

Next year is going to be hard. No denying it. But we live at a time where the economics of cultural production are being radically decentralised - where never have so many had a voice in the history of humanity, nor social motivations been so empowered to create culture and effect change. Where, fundamentally, economic motivations are no longer the only supposed driver of human activity, if ever indeed they were. The beginnings of a new kind of culture, created bottom up by the many, not top down by the few. I think that's pretty awesome.

(Special Guest Post) Toward a Better Definition of ‘Snark’

Wednesday, December 24, 2008

(This is a special guest post by my girlfriend, and writer, Hannah. You can read one of her short stories "Fox Deceived" here on Granta.com)

I recently returned from a month-long retreat which was, among many other wonderful things, free of snark. I didn’t go there to get away from snark, but when I returned to New York, snark smacked me in the face and I thought, Wow, I haven’t missed that. Maybe “smack” is the wrong word. Snark is more of a gentle irritant than an act of violence. It’s one of those blurry words that everyone uses—like ‘random’ or ‘edgy’. The open-source definition of snark seems to be “snide remark” but I don’t think that’s specific enough. Snark is a special kind of snide—there’s a chip of integrity in every snarky observation, and that’s what makes it hard to dismiss. In ideal circumstances, snark can be a way of speaking truth to power, but most of the time it’s like telling a kid there’s no Santa Claus.

Here’s a preliminary definition:

Snark: verbal satire intended to belittle its subject by pointing out subject’s lack of self-awareness; i.e. “bursting someone’s bubble”

And here’s an example of snark, which I encountered while catching up on the New York Times Book Review. This is from Alexandra Jacobs’s December 5th review of ‘Holidays On Ice’ by David Sedaris:

Along with watching clips from “The Daily Show” on YouTube and eating organic vegetables lugged home in reusable canvas sacks, having a shelf full of books by David Sedaris has become a requisite part of American ­middle-aged, upper-middle-class urban life.

Thousands of people buy them, according to this very news­paper’s best-seller list. So why do I suspect few have actually read them, cover to vaguely macabre Chip Kidd-designed cover?

Maybe because it’s so easy just to dabble in David Sedaris. His pieces are often broadcast on “This American Life,” to which he is a regular contributor (imagine the yards of Prius upholstery ruined as his many fans snort latte out their noses, convulsed by his aperçus).


Okay, so that’s your basic, throat-clearing snark. On the one hand, it’s a funny and efficient way of summarizing the scope of David Sedaris’s popularity. And on the other hand, it’s antagonistic and faintly depressing. To my ear the snarkiest phrases are:

Along with watching clips from “The Daily Show” on YouTube and eating organic vegetables lugged home in reusable canvas sacks,


and

(imagine the yards of Prius upholstery ruined as his many fans snort latte out their noses, convulsed by his aperçus)


These lines are fingers pointing straight at the bubble of faux-virtue which surrounds me and my NPR-swilling family. After reading them, I feel like Charlie Brown after a visit to Lucy’s psychiatry booth. I can hear Lucy Van Pelt’s voice in my head: I hope you don’t think you’re special for liking David Sedaris because EVERONE WHO READS THE NEW YORK TIMES LIKES DAVID SEDARIS. You actually thought it was interesting to like him, didn’t you? You were hoping to read a lazy, summarizing review that praised Sedaris and confirmed your own love for him, weren’t you? Well, buckle your seatbelt, because I’m going to use the rest of this column to poke fun at you AND Sedaris. It’s a matter of journalistic integrity—deep down, I think it’s inane to review a book that is, essentially, the repackaged material of a writer everyone already knows about; deep down, I think this page should be used to review fiction, or even—yes—poetry. But I was not assigned to review poetry, and we journalists have to take what we can get. So I’ll do my best to uphold the moral order with this little bit of truth-telling. In closing, I hope you feel like a cliché for caring about the environment and also, for even trying to eat more vegetables. You know we’re all going to die anyway, right?

The thing about snark is that it’s pretty much useless. We had a lot of snark leading up to the 2004 elections, (funny that Jacobs should mention the Daily Show clips), and yet somehow Bush got elected for a second term. But Barack Obama put the snark away for his campaign and finally got out the vote. Remember Sarah Palin’s snarkiness? She kept trying to portray Obama as a pretentious dreamer, a man puffed up by the vision of his own post-racial peace-making. But she couldn’t manage to stir up those old resentments. Was it because we’re beyond snark? Well, no. Because we had Tina Fey's snark to fight her. Also, September 15th. To bastardize Woody Allen, “a satirical piece in the Times is one thing, but a stock market crash really gets right to the point.”

In the New Year, I’m going to try to decrease my exposure to snark. This may mean the end of my New York Magazine subscription, and maybe also The New York Times Book Review, but there are worse fates. Will you join me? Together we can feel nostalgic about the word ‘snark.’

The Web Development Elves

Tuesday, December 23, 2008

Small websites, tools, and online services, built by independent developers will eventually dwarf the contributions of the major digital creative agencies.

While you were sleeping, the web development elves were quietly building the next great web app. You don't know about them because they're not a big fancy agency. They didn't send out a big fancy PR release. They didn't land a big fancy contract with a big fancy brand. They just stayed up really late and built some cool stuff for the internet.

This morning I came across these great little search sites:

retweetradar


Spy


In the lower right hand corner of Retweetradar.com, the developer writes: "google app engine + twitter + yahoo term extractor + jquery = retweetradar."

This is what Open API's are for, folks.

These sites were built by Ben Hedrington, who has a day job with BestBuy.com. These great little sites didn't require a multi-million dollar creative agency. They didn't require a creative brief. And they didn't require a million dollar investment from a major corporate client. They just needed the curiosity, ingenuity, creativity, time, and effort of one clever tinkerer.

As Noah Brier (Holy Crap Facts, How Much Does it Buy?, My First Tweet, and Brand Tags) likes to say, just get out there and play. Try things out. 2009 is the year of the micro-experience. If you wait until you've landed the perfect client or until you've landed the big contract, someone like Ben Hedrington may come along and drink your milkshake.

$50 Million on Relationships

Monday, December 22, 2008

What would happen if you spent $50 Million dollars on cultivating better online relationships instead of on banner ads?

Imagine that you are a big brand and your annual ad budget is several hundred million dollars. Now imagine that you took a large fraction of the online marketing budget, coming to a total of $50 Million, and invested it in building better relationships with your consumers? What do you think would happen? Would your business be better off in 2010, 2011, than if you had spent that $50 Million on banner ads and other online display advertising?

Over the weekend, I read a fantastic (albeit looong) article in Portfolio (no, I don't subscribe, I just got the article passed on to me), "The End of Wall Street's Boom" by Michael Lewis, the author of the book Liar's Poker. In this great article, Lewis traces the history of this year's stock market crash all the way back to the roaring 80's. He explains - better than I've read anywhere else, so far - how the sub-prime mortgage industry came into being, and how it turned the entire financial industry into one big toxic dump.

The most inspiring aspect of the article is the story of Steve Eisman. Eisman's small investment firm was one of the very few groups of people who not only had the vision to see how upside down the investment world had become, but also had the courage to put their money where their mouth was. Eisman was baffled by how crazy the mortgage market had become, and he invested heavily in betting that he was right. In my favorite anecdote, Eisman and his business partner Vincent Daniel, go to visit the C.E.O. of a major firm who decides the rating that investors use to decide whether certain mortgage bonds are worth buying.

The C.E.O. [of rating firm Moody's] even invited Eisman and his team to his office for a visit in June 2007. By then, Eisman was so certain that the world had been turned upside down that he just assumed this guy must know it too. “But we’re sitting there,” Daniel recalls, “and he says to us, like he actually means it, ‘I truly believe that our rating will prove accurate.’ And Steve shoots up in his chair and asks, ‘What did you just say?’ as if the guy had just uttered the most preposterous statement in the history of finance. He repeated it. And Eisman just laughed at him.”

“With all due respect, sir,” Daniel told the C.E.O. deferentially as they left the meeting, “you’re delusional.”


I love the idea of a guy who's willing to call bullshit when he sees it. No matter where he is, or who he's talking to.

Have you ever been in a meeting with a client and wished that you could tell them that they were delusional?

What are the online marketing industry's sub-prime mortgages? What are clients betting hundreds of millions of dollars on in spite of its ineffectiveness (unless you think that a click through rate of 0.25% is a success)?

I think brands are wasting hundreds of millions of dollars on banner advertising.

As brands begin to take a more critical look at their marketing budgets in 2009, I'm going to be a champion for spending less on pretty banners and microsites, and more on fostering meaningful relationships with the people who actually care about your product.

I believe that the biggest reason that brands currently spend the majority of their online budgets on display advertising, is that it is a known quantity. People know what to expect. They know what is relatively good. They know how many "impressions" they can buy, and the know how many clicks they get. But, just because a thing can be measured, doesn't make it worth something.

I bet that first major brand to foster a vibrant community of true fans - people who listen when you talk, people who give you regular direct feedback about what you do, people who talk to other people about what your brand stands for - will change the game. (Barack Obama, anyone?) The key is to transform earned intimacy into action.

In 2007 and 2008 companies dabbled in relationships. But, most just viewed emerging social spaces like Facebook, as a more effective way to target display advertising. Even when they attempted to establish relationships, with some kind of group or forum, brands weren't interested in listening, they only wanted to collect, i.e. "Can we get more fans than our competitor?"

Building relationships is hard work. And it requires a lot more than just a wave of the social media magic wand. Relationships require time; and most importantly, relationships require people. I'm sorry, but a brand can't be in a relationship. Only people can be in relationships.

What if your brand built a small army of people within your organization who had the brand's backing and the skills to directly engage with the core consumer audience. $50 Million worth of real live human beings who were empowered to talk directly with fans, to respond in real time, and to become the voice of the consumer within the brand.

We have the tools we need to do this. We have ways to measure the effectiveness of our efforts. We have the money. What we need is a brand who's willing to stop the insanity and bet against the market. Any takers?

Best of Tumblr Fridays!

Friday, December 19, 2008

The highlights from the past week on my Tumblr blog.

The best thing this week was definitely the NY Public Library's addition to the Flickr Commons. The collection included this phenomenal set of photos of New York City in 1935, taken by the great American photographer Bernice Abbott.

Photographer Berenice Abbott (1898-1991) proposed Changing New York, her grand project to document New York City, to the Federal Art Project (FAP) in 1935. The FAP was a Depression-era government program for unemployed artists and workers in related fields such as advertising, graphic design, illustration, photofinishing, and publishing.

(Wouldn't it be nice to see some programs like that spring up in 2009, to help get us through these tough economic times?)

Changing New York

Changing New York

Changing New York


NYTimes Review of the new Sol LeWitt exhibition at Mass MoCA
"The Conceptual artist Sol LeWitt, who died last year, was our Fra Angelico. And the three-story 19th-century mill here, housing a survey of his panoramic wall drawings, is our Museo di San Marco: a building full of art conceived by one artist, executed by many hands, devoted to big ideas."
My younger sister actually worked on installing this incredible show; and I'll be seeing it in person tomorrow.


And - as if you needed more proof, Barack Obama is one bad-a-- motherf---er...

Barack Obama

Einstein on Viral Video

Thursday, December 18, 2008

Einstein chimes in on "Is Your Video Viral?"

Einstein Viral Video


(create your own here: http://www.hetemeel.com/einsteinform.php)

Why is Discovery So Much More Valuable Than Interruption?

Monday, December 15, 2008

This should be a stupid question. Yet, every year brands waste hundreds of millions of dollars on interruptions, on banners, pop-ups, and roadblocks (they actually call them roadblocks!).

The experience of making a discovery creates a personal bond between the person and the thing they've discovered. They adopt a feeling of ownership. ("I found it; this is mine now.") The thing that they've discovered becomes a part of who they are. The degree to which any of these transformations occur is tied directly to how remarkable the discovery is to the person who makes it.

Ralph Eugene Meatyard


Back in the winter of 2005, a friend of mine took me to a photography exhibit at the International Center of Photography in Manhattan. The exhibit happened to be a retrospective of the work of an American photographer named Ralph Eugene Meatyard. Meatyard (awesome name, right?) lived in Kentucky and did most of his photography as a hobby during the 50's and 60's, while he worked professionally as an optometrist.

His work blew me away. I had never seen anything like it. It was bizarre, creepy at times, imaginative and inspiring at others, beautiful, quiet, mysterious. That day Ralph Eugene Meatyard become my favorite photographer. And since that day, his work means more to me than so much other photography I run into all the time.

If you want further evidence of how discoveries create a sense of ownership, pride, and loyalty, stop by the Undercurrent office some time. Listen to what happens when someone tells someone else about something they found on the internet without giving proper credit to the other person in the office who discovered it first. You might recognize the spirited protests, as one person shouts across the room at another to set the record straight. "I told him about that!" "I sent her that link yesterday!" "I saw that video like two weeks ago!"

This is why we love the internet. Blogs help us to make discoveries. Google helps us to make discoveries. Facebook and Twitter help us to make discoveries. The internet helps us to make discoveries. And discoveries make us feel good.

The internet has become an engine for discovery. And every day it is becoming more efficient in its ability to create new opportunities for discovery and to make those discoveries more personally relevant and compelling. If you're not playing this game, if you're still merely trying to create better interruptions, than pack up and go home.

Private Conversations in Public Places

Sunday, December 14, 2008

Back in Oct 2007, I wrote about the importance of helping users to more carefully negotiate private social experiences in public places online (like Facebook).

Now people are deliberately engaging in direct one-to-one conversations in public forums because we are beginning to realize that there is more value in sharing information online than there is in keeping secrets.

In some cases, mostly on Facebook, the participants are barely conscious of the public nature of their discussions. Almost every action in Facebook, with the exception of direct messages, is broadcast to both participants' entire networks. Everyone sees a note in their news feed when they log in saying, "___ left a comment on ___'s relationship status" or "___ posted a link on ___'s wall" or "___ left a comment on ___'s photo." All of these micro-conversations are personal to the two participants involved. Yet, they invite public discussion.

On Twitter our decision to have public or private conversations is binary. Either we keep our conversation a secret by using a "D" (direct message) or we share them with the rest of our followers with the "@" (reply). When we choose to have conversations in public, we discover new shared interests with our followers, strengthening those ties (if only by a little). My friend and I may have just gone to see a movie together, and when we get home I find a funny trailer mashup of that movie. I send out a Twitter message with the link, beginning with an "@" to reply in public to my friend. Turns out several of my other followers saw that movie recently, too. They reply to me with their thoughts, and a link to another trailer mashup. We discover new shared interests, and those other relationships become just a little bit more meaningful.

This is why we're engaging in what we would have, in the past, assumed to be private conversations in public places. By opening up any discussion that isn't highly sensitive, we invite new discoveries and potential relationships. Our mindset is making a fundamental shift. This shift follows the natural progression of internet communications. By sharing our knowledge in public, we earn attention, we strengthen our reputation, and we build relationships, all of which are ultimately more valuable than any one of our ideas probably ever was.

Our default mode is now, "When in doubt, share."

Best of Tumblr Fridays!

Friday, December 12, 2008

Just a few of my favorite links, pictures, and videos from the past week on my Tumblr blog.



an incredible collection of vintage photos from old movies (via Samantha)


"For its 75th anniversary, Esquire is delivering more than the usual advice on sex, suits, and single malts: The magazine has pulled seven seminal articles out of its archives and offered them up — free — online." - VSL


Infovore - If Gamers Ran The World
"Barack Obama is 47. By contrast, David Cameron - who leaps to mind as another potential national leader in the coming years, whatever you may think of that fact - is 42. I got to thinking about what a national leader might look like in ten years time, 2018. Let’s suggest, based on Obama and Cameron, that they’re 45. They’re 45 in 2018 when they stand for office - that means they were born in 1973. They would have been four when Taito released Space Invaders came out; seven when Pac Man came out."



Zoomdoggle: Art Jumping


and of course, Hampster on a Piano Eating Popcorn: The Video

Virtually Free Money

Wednesday, December 10, 2008

Gaia ElvisWhy would a teenager pay $4 so that their little avatar can walk around the virtual world of Gaia Online dressed up in Elvis' white-rhinestone jumpsuit? How does Facebook get away with charging $1 to allow you to copy a little .gif image file onto your friend's wall? Why are virtual goods a $1.5 billion dollar world-wide industry?

Yesterday, Marta Kagan, tweeted about an interesting little article in the NYTimes about the money to be made through the sale of virtual goods. Some highlights:

Gaia Online, a youth world with seven million monthly visitors, sells more than $1 million a month of virtual goods and expects a record month in December, said its chief executive, Craig Sherman. One rival, IMVU, has also had a 15 to 20 percent increase in sales since September.


By most estimates, customers spend about $1.5 billion a year on virtual goods worldwide. Tencent Holdings, a publicly traded Internet media company based in China, is the leader, with hundreds of millions in annual revenue from virtual goods in online games and other applications.


Virtual goods have profit margins of 70 percent to 90 percent because they do not cost much to store, reproduce or distribute.


That's a pretty good profit margin, huh?

Buying certain objects to carry and pieces of clothing to wear as a way of constructing our identity isn't new. Now, that behavior is migrating into the online space. These online identities are no less meaningful to us simply because they're online. And most people's online identities are still in their early childhood or adolescence. This is the time, more than any other, where we eagerly seek out opportunities to play with badges and characters and symbols that help us to define who we want to be and how we want other people to see us. It's no wonder that this is a billion dollar industry, and growing fast.

Titanic 2: Remix = Love

Tuesday, December 9, 2008


via world>wide>weber


This video might be the most impressive trailer mash-up I've ever seen.

(UPDATE: Unsurprisingly, Faris blogged about this way back in April 2006. Funny how bits of content get recycled on the web.)

Can you imagine how long it must have taken to find all those perfect clips? And the creativity and inspiration that went into it? Not to mention the work of actually editing it.

Josh Green, from MIT's Convergence Culture Consortium, stopped into the Undercurrent office last week. As Bud mentioned in his Mad Men report, Josh made an great point: when fans re-post original content to the web, content owners should start thinking of it as a form of expression, not as an impression.

This is the kind of thing that hard-core fans do. This is why brands should want fans. It's why they should break up their stories and encourage the audience to put the pieces back together. It's why they should make their content easily spreadable.

Because if fans are doing things like this video with what you've created, then you know they really love you.

Bud Melman's Mad Men Report

Monday, December 8, 2008

Last night, I received a copy of Bud Melman's big memo. As Bud writes, it's "an inside look into the recent Mad Men on Twitter phenomenon, and what it means for the future of media and entertainment." The report is comprehensive (11 pages), filling in the back-story of how these fictional online identities came into being, the drama between the content owners, AMC, their digital marketing agency, Deep Focus (where I used to work, but never did anything with Mad Men), and among the fans who were authoring these various Twitter accounts. I believe there will be a copy posted on the fan site wearesterlingcooper.com later today (UPDATE: Download the PDF here).

The man behind Bud Melman, is Bud Caddell, a fellow strategist with me at Undercurrent.

One thing that's interesting about this particular chapter in the ongoing saga between fans and content owners, is that most of the people who authored these fictional online personas were marketing professionals. They recognized a marketing opportunity for the brand, and actively sought to put their fan labor to work for the show.

They argued (rightly in my opinion) that their activity on Twitter was raising awareness for the show, introducing the story to tens of thousands of potential new viewers, and giving existing fans a new way to engage with the narrative of the TV show in between episodes. It seemed like a brilliant and progressive new media marketing strategy. But, alas, AMC didn't see it like that. After first forcing the accounts to be suspended, they begrudgingly changed their mind and allowed them to continue posting messages.

As more fans begin to recognize their importance and value to content owners as marketing partners, I think we'll begin to see more friction like what we saw with Mad Men. As, I wrote a couple weeks ago, the roles and relationships are getting complicated. Some fans will want to embrace this marketing role, and some will reject it. On the brand and agency side, I believe we'll start to see more positions like Community Manager or even Fan Liaison pop up.

I'd love to hear some thoughts from people with personal experience on both the fan (Flourish) and content owner (Mica) sides of this discussion.

Best of Tumblr Fridays!

Friday, December 5, 2008

Geez, is it Friday again, already?

These are a few of my favorite links, pictures, and videos from the past week on my Tumblr blog.


New
NEW (via SA_Steve)


Wishlistr is a great and very simple way to collect and share your holiday wish list (or birthday) with friends and family. (h/t Eric Tabone)


Child
Faces of the Future


Helge Tennø breaks down our connected future with the imminent emergence of a universal digital identity, geo-location and time reference technology (SPIMES), and the resulting shift in marketing from messaging to service.




Julia's cousin is crazy talented. Be sure to keep watching ‘til the 1.30 mark…trust me. Morgan, age 10, sings "Somewhere Over the Rainbow."

Relationships Are The New Identity

Wednesday, December 3, 2008

Yesterday morning, I had the pleasure of joining Noah Brier, Johanna Beyenbach, and Clair Hyland from Electric Artists, at PSFK's Good Ideas in Digital panel (you can watch the video here).

When we got onto the topic of Facebook Connect, and the concept of being able to take a single online identity with you wherever you go online, I noticed that we were thinking of "identity" and the network of people we're connected to online as the same thing. When we talked about being able to use our Facebook ID on another website outside of Facebook, we were talking about being able to share our activity or content from that site with our Facebook friends.

Then I read this great post by Helge Tennø (I'm loving his blog, btw), that uses the same construct. He predicts that in the not-too-distant future having a single pervasive digital identity across all environments will be the norm. And that universal identity, combined with geo-location and time referencing, will drive a shift in marketing away from messaging towards utility and service. I agree with his prediction, and I'd say that we're already seeing that shift, e.g. look at how brands are using iPhone apps.

Underlying Tennø's prediction is the implicit notion that our identity is our relationships. That access to this single universal ID means access to your entire network of digital relationships, email contacts, mobile phone contacts, Twitter followers, blog readers, Facebook friends, etc.

This is a hugely significant development in how we think of identity. While the people we knew and spent time around have always been a factor in shaping our identity, only with the rise of internet-enabled social media have our relationships become such a central aspect of how we think about who we are. The factors that have made this possible are that our social network is only now consciously cataloged, searchable, browseable, usually public, and accessible for communication at any instant from any place.

In case you needed any further proof, social media is not just another marketing gimmick.

Pass-along Is Made of People! Peeeeeeeopllllle!

Monday, December 1, 2008

Last week, Faris Yakob did his part in the noble endeavor to put the term "viral" to rest, once and for all. He pointed out that the fundamental problem with the term is that it implies that the host of the virus has no control over the spreading of the virus. In the context of new media communications, however, ideas spread only as a result of conscious action taken by individual audience members. Content achieves exponential exposure as a direct result of many individuals choosing to tell many other people about it. As I illustrated in my post Is Your Video Viral?, pass-along behavior is the only way that any online experience (video, blog post, picture, etc.) can achieve rapid exposure beyond any deliberate exposure by the creator. And this pass-along behavior is always the result of individuals making a deliberate choice to tell someone else about what they found (As Noah pointed out, whether people are passing along the message they want to spread is another thing).

The reason why this concept has become such a fascinating subject in recent years is because media has become social in a much more functional way than we ever imagined before. We're seeing the effects of Social Media, as I define it:

Rather than a wholly new medium of its own, Social Media is the next evolution of all media as we know it. If media refers to our society’s means of communication, e.g. books, newspapers, radio, TV, film, and the Internet, then Social Media is the enhanced experience of media in the context of a self-authored digital network of personal relationships, i.e. a Social Network.


So, in our newly networked digital world, every piece of content we come across is experienced in a functional social environment; we are never more than a few clicks away from sharing the experience with a friend.

If you are creating something that you hope will be passed-along from one audience member to another, giving you greater exposure beyond your initial investment, then you need to make sure you're designing for spreadibility:

  • Have a compelling point of view, and ensure that what you're offering is either so useful or so entertaining that each audience member feels like you've given them something that has intrinsic value within their own social networks, i.e. "If I pass this along, will the people I share it with value our relationship more?"

  • Put your content in front of the people who care; choose carefully who you introduce your content to first. Toss your demographics out the window, they're too broad. It's easy to find communities of people on the internet around any shared interest. Know what the relevant interest community will be for your work, seek them out, and share your work with them first.

  • Give your audience all the tools they need in order to share your work with their network (a working embeddable player, email to a friend, social bookmarking, post to Facebook, etc). Remove every possible obstacle or challenge that may get in their way.


Remember that the choice to share content is always a social action. Audience members are deciding how it will help them to strengthen connections with certain communities, or how it may distance them from other groups. Every social action has social consequences and social rewards. What are the potential consequences or rewards of the experience you're creating?